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LIMECOAT

Application · Limedolomite

Substrate preparation, the tool and the method of application all play a part in the final result. Select a product to see its step-by-step application process.

Select a product

LIMEDOLOMITE

Lime paint with aggregate

Lime paint with aggregate that brings body, texture and mineral presence to the surface. The tool and method of application allow different expressions to be achieved from a single material.

Tools
Brush · Flat brush · Roller
Coats
2
Coverage
0,40 L/m² total for 2 coats
Finish
Mate · Mineral · Texturada · Transpirable
Drying
6 h between coats · 24 h total
  • Pared interior✓
  • Pared exterior✓
  • Techo✓
  • Zona húmeda sin agua directa✓
  • Agua directa—
  • Suelo—

Available for indoor and outdoor use. The application procedure is the same.

Still life with the materials needed to apply Limedolomite: Limedolomite container, Limeprimer, flat brush, mixer and tape.
  1. Limedolomite
  2. Flat brush
  3. Mixer
  4. Clean container
  5. Tape / protection
  6. Limeprimer

01 · PREPARAR

Prepare the substrate

The substrate must be sound, clean, dry and properly prepared before applying Limedolomite. The condition, texture and absorption of the substrate can affect the final result.

Continuous plaster, sound and uniform

Direct application when the substrate has uniform absorption and is properly prepared.

Prepared plasterLimedolomite

If there are repairs or differences in absorption, apply Limeprimer first.

Continuous plaster substrate with raking light.

Uniform absorption and a surface with no visible repairs.

Prepare Limedolomite

Before applying, mix Limedolomite with a low-speed mixer until the pigment and aggregate are evenly distributed.

Mixer · Low speed

Mix again during application whenever necessary to keep the mixture uniform.

Mixing Limedolomite in the container.

02 · APLICAR

Choose the tool according to the result

2 coats · 0,40 L/m² total

Limedolomite can be applied with a brush, flat brush or roller. The choice depends on the final texture you want to achieve.

Application in two coats

01 · Primera coat

Apply a first coat of Limedolomite continuously and evenly with the chosen tool.

First coat6 hSecond coat

02 · Segunda coat

Once the first coat is dry, apply a second one keeping a regular load and the application criteria for the desired texture.

03 · TEXTURAS

One material. Different expressions.

The tool and method of application change the distribution of the aggregate and the final reading of the surface. Choose the application according to the texture you want to achieve.

Limedolomite surface applied with cross brushstrokes.

TEXTURA 01

Cross brushstroke

Herramienta Flat brush

Work with cross brushstrokes, alternating the direction of movement and keeping a regular load. Overlap the passes continuously to distribute the aggregate and build a uniform texture over the whole area.

Limedolomite surface applied with vertical brushstrokes.

TEXTURA 02

Vertical brushstroke

Herramienta Flat brush

Apply Limedolomite with vertical brushstrokes.

TEXTURA 03

Roller application

Herramienta Roller

Spread Limedolomite continuously and evenly, keeping a uniform load and avoiding product build-up. Keep the same application criteria over the whole area.

04 · COMPROBAR

Resultado esperado

Limedolomite creates a matte, mineral, textured surface with a visible presence of aggregate. The final texture depends on the tool and method of application chosen.

Matte · Mineral · Textured · Breathable

Natural variations of the material

The mineral nature of the product and its hand application can create small variations in texture, movement and tonal perception. These variations are part of the material's own expression.

Avoid these mistakes

01Poorly prepared substrate

Differences in absorption, texture or preparation of the substrate can transfer to the finish.

02Poorly mixed product

An uneven distribution of the pigment or aggregate can create unwanted differences.

03Uneven application

Changes in load, tool or application criteria within the same area can produce visible differences.

Validate before you start

Produce a sample on a representative substrate using the same preparation, colour, tool, number of coats and application texture planned for the project.

The sample must validate the complete system, not just the colour.

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